Coming up on his 89th birthday, host Dee Dee Bridgewater poses the rhetorical question, "Who in jazz today traveled and worked more than Dave Brubeck?" In the late summer of 2009 alone, he played the Newport, Detroit and Monterey Jazz Festivals.
Accomplished MacAuthor fellows Miguel Zenón and Dafnis Prieto will be joining Dee Dee Bridgwater on this week's JazzSet. Zenón, a saxophonist from Puerto Rico, and Prieto, a drummer out of Cuba, combine their island influences for a worldly jazz experience. Be sure to tune in at 6PM!
Jazz vocalist Nnenna Freelon inspires and encourages creativity. A native New Englander, Ms. Freelon was born in Boston, raised in Cambridge, and has "chased [her] dreams" into a life-long journey that has manifested a stellar career in music.
Filmmaker talks about his upcoming PBS Christmas special “Heirloom Meals” and his use of jazz throughout (including Judy Carmichael’s appearance singing a swinging “Winter Wonderland”) and his backstage filming of Michael Jackson during preparation for Michael’s last tour.
Considered the most demanded pianist in jazz by The New York Times, Mulgrew Miller performs with his trio at the 10th Anniversary of The KC Jazz Club at The Kennedy Center. This exceptionally talented and "harmonically diverse" group join Dee Dee Bridgewater for this week's segment of JazzSet.
Ninety years ago near the village of Katonah, N.Y., art lovers Walter and Lucie Rosen bought Caramoor, a wooded estate, and built a home for their collection of painting and sculpture. Every room was a gallery, including their favorite, the Music Room; after they lost their only son in World War II, they presented a small concert series there to honor him. So began the transformation of Caramoor from a private home to an arts center and treasure for Westchester County, north of New York City.
We revisit Judy’s conversation with dancer/choreographer David Parsons who talks about capitalizing on improvisation and the input of his dancers when creating a piece, and his passion for creating with jazz musicians, most notably, his work with the late Billy Taylor.
When Pianist Billy Childs was 21 in late 1978, the high-profile, high-register trumpeter Freddie Hubbard hired him.
"I can't imagine the patience that [Hubbard] must have exercised while trying to solo while I am 'helping' him with my youthful comping [accompanying] ideas, which a lot of times meant just playing all over his solo," Childs tells JazzSet. "I feel fortunate to have been brought up in that time, because that was the way you learned jazz. [You] learned by doing it."
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