Considered the most demanded pianist in jazz by The New York Times, Mulgrew Miller performs with his trio at the 10th Anniversary of The KC Jazz Club at The Kennedy Center. This exceptionally talented and "harmonically diverse" group join Dee Dee Bridgewater for this week's segment of JazzSet.
Ninety years ago near the village of Katonah, N.Y., art lovers Walter and Lucie Rosen bought Caramoor, a wooded estate, and built a home for their collection of painting and sculpture. Every room was a gallery, including their favorite, the Music Room; after they lost their only son in World War II, they presented a small concert series there to honor him. So began the transformation of Caramoor from a private home to an arts center and treasure for Westchester County, north of New York City.
We revisit Judy’s conversation with dancer/choreographer David Parsons who talks about capitalizing on improvisation and the input of his dancers when creating a piece, and his passion for creating with jazz musicians, most notably, his work with the late Billy Taylor.
When Pianist Billy Childs was 21 in late 1978, the high-profile, high-register trumpeter Freddie Hubbard hired him.
"I can't imagine the patience that [Hubbard] must have exercised while trying to solo while I am 'helping' him with my youthful comping [accompanying] ideas, which a lot of times meant just playing all over his solo," Childs tells JazzSet. "I feel fortunate to have been brought up in that time, because that was the way you learned jazz. [You] learned by doing it."
Dee Dee Bridgewater's smile says it all: JazzSet is happily celebrating 20 years of performances every week on NPR. In September, we featured original host Branford Marsalis with his 2012 quartet for our anniversary. Now, today's host Dee Dee Bridgewater weaves her spell and leads a crack quintet through a new set from the Caramoor Jazz Festival.
Jazz pianist and bandleader Yoko Miwa started out playing classical piano at the age of four. The Kobe, Japan native first heard jazz as a teenager and immediately fell in love with the music. Today, her playing has been described as that of a "jazz poet". In the last year, the Berklee College of Music graduate was also appointed Assistant Professor at her alma mater. Ms.
Pianist Benny Green is joined by Peter Washington on bass and Kenny Washington on drums as they perform Monk's Dream: Fifty Years Fresh on this week's JazzSet. Theolonious Monk's revolutionary music has influenced Green's piano style since he was a child and is exemplified through Green's usage of his whole body while performing Monk's material at the KC Jazz Club at the John F. Kennedy Center for the Performing Arts.